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「Strawberry Panic!」 Unser erstes Mal 【 German Fandub 】 One of the strongest aspects of the series is in the subtle message that there is strength in shared experiences. The series begins sometime after the transfer of 14 year old Tenjou Utena to the elite Ohtori Academy. The series centers around the high school experiences of Misonou Nanako note: Creator Shimura Takako uses the understated and realistic style of Aoi Hana to challenge the tropes of the yuri genre. She struggles to reconcile both her masculinity, as a prince-to-be, and her femininity as a previously rescued princess, and to identify her feelings towards Anthy as well as towards male suitors. One of the strongest aspects of the series is in the subtle message that there is strength in shared experiences. The language, the style, the clothing, and the symbology are all "high" yuri, evoking imagery strongly associated with yuri history. Aoi Hana seems undeniably the most realistic depiction in anime of lesbian relationships amongst adolescents in Japan. This turns out to be problem for her best friend, Murasame Sumika on the left , who is secretly in love with Ushio and is anything but "cute," "feminine," or "shy. As Yuricon 's Erica Friedman points out, the series deals more with akogare yearning than it does with actual romance. At first the main character appears to be Fumi, with A-chan a strong supporting character, as Fumi goes from one disastrous lesbian relationship to another, but it quickly becomes apparent that the one stability in Fumi's life is A-chan. It generally represents the same passage of time as actually covered in the amount of time it took to air on TV or in the manga, to be produced. Simoun is a world where gender and sexuality, not to mention biology, just do not work in the same ways as in our own. Oniisama E certainly walks this line to great effect. Ironically , this is what makes Simoun such an interesting series to watch, despite its "fanservice" moments and the general style of its character designs. It's painful to watch in many ways, although it never gets to the sort of tropey melodrama of its predecessors, and intentionally so. She specifically says she prefers "cute," "feminine" and "shy" girls. An obvious complementary pair both physically and in personality, they also are the only pair which really challenges the "platonic" aspect of the Class S tropes. Other yuri reviewers have drawn comparisons between Utena and The Rose of Versailles by Ikeda, and while that is visually true largely due to costuming , I feel that the series is drawing much more from the world of Oniisama E and its representation of the Class S tropes.

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